Wednesday, 22 February 2023

Anthony Lane - "Shock and Aftershocks of the Waste Land"

https://www.newyorker.com/magazine/2022/10/03/the-shock-and-aftershocks-of-the-waste-land




The shocks have triggered aftershocks, and readers of Eliot are trapped in the quake. Escape is useless:

DA
Datta: what have we given?
My friend, blood shaking my heart
The awful daring of a moment's surrender
Which an age of prudence can never retract
By this, and this only, we have existed
Which is not to be found in our obituaries
Or in memories draped by the beneficent spider
Or under seals broken by the lean solicitor
In our empty rooms

I happen to think, for what it's worth, that these lines, which come toward the end of "The Waste Land," are the greatest that Eliot ever wrote. They cast a shadow of a doubt over everything that we believe about ourselves, at different stages of our lives; over the stories of ourselves that we tell to other people; and over what they tell of us in turn. As always with Eliot, abstraction is offset by the taut particularity of physical things: the spider, the wax seals, and the shuddering blood, concluding in the long and mournful double "o" of "rooms." And the word "surrender" could be applied to so many daring souls: a lover at the instant of ecstasy, a religious devotee, a hounded warrior, a corruptible politician, a wooer who hastens, like Eliot, into a proposal of marriage, or a Dostoyevskian gambler, with the family jewels in his pocket. All of them will face that overwhelming question: "What have we given?" It is something that each of us must ask, on our deathbeds, though nobody wants to die in shame.