hints of Gormenghast, but different.
Nathan needs to help his dad, dying of some worms, in a strange city where the dead-life produces living monsters.
Needed a globally accessible place to jot down notes about books, films, music and the such.
hints of Gormenghast, but different.
Nathan needs to help his dad, dying of some worms, in a strange city where the dead-life produces living monsters.
music, Gideon Coe, bbc6, they are equivalent. But as my brain keeps shrinking with 2 grams per year, I better tag them all. He's a hero. Plays the best stuff.
I *think* I'm listening to the Left Outsides.... a bit like Loreena McKennit
https://www.youtube.com/watch?v=i8JBUktSxvQ
https://www.youtube.com/watch?v=plAr3adKbyc
aardig interview met Joost Prinsen (raakt soms de draad een beetje kwijt)
Ook, prachtnummer "Zing Dan" van Jenny Arean.
Leo Blokhuis.
Instrument dat gebruikt werd is de trautonium; decennia geleden door Scala (?) ontworpen in Berlijn. Is ook gebruikt voor de vogelgeluiden in Hitchcock's The Birds.
Ook: Manuel Göttsching - voorloper van techno, maakte in '81 "E2-E4" in Berlijn.
Strange series on the craziest of competitions: running down a steep hill after a cheese, eating the hottest chillies in the world, dog dancing, frog jumping.
Enjoyable to watch (most of it: I skipped the fantasy hairdressing)
Composed by Giorgio Moroder, lyrics by "a car mechanic".
He also did Scarface.
Terry Nunn auditioned for princess Leia!
https://www.theguardian.com/music/2020/nov/16/giorgio-moroder-take-my-breath-away-top-gun-how-we-made-berlin-tom-cruise
the comnments are gold
Apophasis (/əˈpɒfəsɪs/; Greek: ἀπόφασις from ἀπόφημι apophemi,[1] "to say no") is a rhetorical device wherein the speaker or writer brings up a subject by either denying it, or denying that it should be brought up. Accordingly, it can be seen as a rhetorical relative of irony.
The device is also called paralipsis (παράλειψις) – also spelled paraleipsis or paralepsis – or occupatio, and known also as praeteritio, preterition, or parasiopesis (παρασιώπησις).
As a rhetorical device, apophasis can serve a number of purposes.
It can be employed to raise an ad hominem or otherwise controversial attack while disclaiming responsibility for it, as in, "I refuse to discuss the rumor that my opponent is a drunk." This can make it a favored tactic in politics.
Corresponding to the fact that we act as if time is a valuable commodity - a limited resource, even money - we conceive of time that way. Thus we understand and experience time as the kind of thing that can be spent, wasted, budgeted, invested wisely or poorly, saved, or squandered.
TIME IS MONEY, TIME IS A LIMITED RESOURCE, and TIME IS A VALUABLE COMMODITY are all metaphorical concepts. They are metaphorical since we are using our everyday experiences with money, limited resources, and valuable commodities to conceptualize time. This isn't a necessary way for human beings to conceptualize time, it is tied to our culture. There are cultures where time is none of these things.
In allowing us to focus on one aspect of a concept (e.g., the battling aspects of arguing), a metaphorical concept can keep us from focusing on other aspects of the concept that are inconsistent with that metaphor. For example, in the midst of a heated argument, when we are intent on attacking our opponent's position and defending our own, we may lose sight of the cooperative aspects of arguing. Someone who is arguing with you can be viewed as giving you his time, a valuable commodity, in an effort at mutual understanding.
These examples show that the metaphorical concepts we have looked at provide us with a partial understanding of what communication, argument, and time are and that, in doing this, they hide other aspects of these concepts. It is important to see that the metaphorical structuring involved here is partial, not total. If it were total, one concept would actually be the other, not merely be understood in terms of it. For example, time isn't really really. If you spend your time trying to do something and it doesn't work, you can't get your time back.
Based on the book by Iain Reid. Follows most of the plot, but takes a different ending.
I missed Kaufman's logic of the fantasy, the girl, having agency, fighting her creator.
Quite good.
Interesting book, although a bit dry at times. Starts great with history about Leslie and architecture, meanders a bit.
[George Leonidas] Leslie was so dedicated to detail, so confident in his abilities, that he would often case the interiors of banks both during business hours and long after: before his gang robbed the Manhattan Savings Institution in October 1878, Leslie had already broken into the bank twice, stealing nothing, simply checking out the building for himself and verifying that he had the correct combination for the vault door. This gives Leslie the air of an addict, seemingly unable to resist the lure of an uninhabited architectural space emptied of its workers, unable to turn down the illicit thrill of a bank interior that temporarily belonged to him alone, having realized long ago that the best way to commune with an architectural space was by breaking into it.
Here in Northampton, Leslie's gang turned their attention from space to time. [...] Anticipating the watchman's future narrative of the heist, which would naturally include details of when the perpetrators arrived, how long they spent in the vault, and, most important, what time they fled into the shadows of the New England night, they also tampered with the watchman's clocks, stopping or breaking them.
... his extensive, homeschooled expertise in the city's fire code, explaining how the city's own regulations can be read from the outside-in by astute burglars, turning Toronto's fire code into a kind of targeting system. Simply by looking at the regulated placement of fire escapes on the sides of residential high-rises, Dakwsin could deduce which floors ad fewer apartments (fewer would mean larger, more expensive apartments, more likely to be filled with luxury goods)
... the idea of designing out crime is by no means unique to our era. In nineteenth-century Paris, for example, acting under instructions from Emperor Napoléon III, urban administrator Georges-Eugène Haussmann instituted an extraordinarily ambitious series of urban improvements. He ordered the demolition of entire neighborhoods, the erasure of while streets from the center of Paris, and the widespread replacement of them both with the broad, leafy, and beautiful boulevards Paris is known for today. This was not motivated by aesthetics, however, but was explicitly a police project, a deliberate - and quite successful - effort to redesign the city so that the streets would be too wide to barricade, the back alleys no longer winding or confusing enough for insurgents and revolutionaries to disappear or get away. The urban landscape of Paris became a police tool, its urban core reorganized so aggressively that popular uprisings would henceforth be spatially impossible.
An abridged audiobook with various actors.
transcriber (woman) - "your muse is nothing if not busy"
John Milton (Patrick Stewart) - "The call is urgent. Our world falls in upon itself. These words I take as gifts from her can shape to what we've lost. There is so much to explain."
Listened to this. Was enjoyable. For sure must have missed bits because I used it during bouts of insomnia, but overall honestly enjoyable.
Nice French animation about a hand searching for its missing body.f
Some great interviews with people during lockdown, including Helena Bonham Carter and Jon Ronson.
Maria Manson - "All I Want For Christmas is the Beautiful People"
https://www.youtube.com/watch?v=A1X3d2zWx94
Mariah Carey vs Radiohead
https://www.youtube.com/watch?v=ZE4shVkwqIk
https://www.youtube.com/watch?v=wPIm1NnmVCc&feature=youtu.be
Slayer vs Katrina & the waves
https://www.youtube.com/watch?v=7MrMfoHejiw
Slayer vs B-52's - "Raining Lobsters"
https://www.youtube.com/watch?v=mnrfqPoX4WU
Dio and Gloria Gaynor
https://www.youtube.com/watch?v=NYoohbsQ9fk
In style, both story and writing, quite akin to The Night Circus, but not in a bad way. Quite enjoying it.
Chinese history in myth form, with Rin as a Speerie able to summon The Phoenix.
Enjoyable although not written amazingly well - sometimes it feels rushed - and Rin's attitude is bothering me. Waiting for the final book.
Enjoyable so far. Maybe this will cure my anti-C.M. (since "Un-lun-dun") antipathy.
weird stuff. Funny. Crazy quick lyrics.
also: "Weird Weird West"
and: "I'm British"
Hands on the window she
wears the red like a challenge
all dotted up in the parking lot.
I hadn’t washed my hair that morning just
tussled it on my way out to meet her
curls wet, tucked neat
into a baseball cap.
I can’t even see her eyes,
my own face in the frames
suspended there between
smoke breaks and grease.
When she takes my finger in her
mouth it feels like I’m being fed,
I hold her tight by the nail
of my thumb and let her wash
over me pink. Cheeks fill fast
counting the white polka dots
on her blouse until it all blurs or
turns into my open mouth or
the sun disc of my reflection or
all the buttons I’ve ever undone or
her becoming the endless pattern or
her in the doorway of our bedroom or
thick cream left in the fridge to spoil or
skin left wrinkling in the bath or
the towel peeled open, discarded or
fresh sheets screaming on the floor or
her small breasts hanging over me or
a second of breath before laughter or
sitting on the edge of the mattress afterwards
bridle roses unfurling from my chest
the vines whispering hello I love
you is it enough to make time slow
down until we are just this:
committed onto canvas
messy, half-asleep, sitting in my car and
reaching.
2020-09-04
https://fs.blog/2020/07/appearances-vs-experiences/
When we think that the way a building looks will dictate our experience living in it, we are mistaking the map for the territory. Architectural flourishes soon fade into the background. What matters is the day -to-day experience of living there, when relationsihps matter much more than how things look. Proximity to friends is a higher predictor of happiness than charming old brick.
[Charles Montgomery] A person with a one-hour commute has to earn 40 percent more money to be as satisfied with life as someone who walks to the office. On the other hand, for a single person, exchanging a long commute for a short walk to work has the same effect on happiness as finding a new love.
So why do we make this mistake? Drawing on the work on psychologist Daniel Gilbert, Montgomery explains that it's a matter of us thinking we'll get used to cmmuting (an experience) and won't get used to the nicer living environment (a thing).
The opposite is true. While a bigger garden and spare bedroom soon cease to be novel, every day's commute is a little bit different, meaning we can never get quite used to it. There is a direct linear downwards relationship between commute time and life satisfaction, but there's no linear upwards correlation between house size and life satisfaction. As Montgomery says, "The problem is, we consistently make decision that suggest we are not so good as distinguishing between ephemeral and lasting pleasures.
[...] We maximize our chances at happiness when we prioritise our experience of life instead of acquiring things to fill it with.
fun song. but also, their other stuff is not bad. bit post rock?
https://aeon.co/essays/why-is-the-language-of-transhumanists-and-religion-so-similar
'Orthogenesis assumes that variation is not random but is directed towards fixed goals.' [Peter Bowles, Evolution: the history of an Idea, 1983] So evolution isn't something that happens to us; rather it is what we make of it, and how we make our selves. Taken a step further, orthogenesis can be read to imply that intention is what brings about change.
This view of human history has a distinctively modern flavour. It stands in contrast to an older, more cyclical model of time, in which 'history waxes and wanes like the moon', as the historian Keith Thoams puts it in Religion and the Decline of Magic (1971). Because everything moves in cycles, Thomas argues, 'the highest aesthetic and ethical virtue lay in imitation, or rather emulation'. Here an inventor becomes someone who finds what has been lost, not omeone who comes up with something new. But there was a growing grasp of change in Europe from the 16th century onwards, Thomas argues; people developed a fresh awareness of the differences between their world and that of their ancestors, based on data-points as simple as the dates of publication in books, fresh off brand-new printing presses. Such shifts led to the belief that knowledge was cumulative, not cyclical - which is the mindset of the scientist and of the ultra-rationalist. If time marchs on, then of course religion becomes old, vestigial, to be replaced.
Religious worldviews often retain something of the cyclical view of history, where old books are not relics but the foundation stones of knowledge.
A god-like being of infinite knowing (the singularity); an escape of the flesh and this limited world (uploading our minds); a moment of transfiguration or 'end of days' (the singularity as a moment of rapture); prophets (even if they work for Google); demons and hell (even if it's an eternal computer simulation of suffering), and evangelists who wear smart suits (just like the religious ones do). Consciously and unconsciously, religious ideas are at work in the narratives of those discussing, planning, and hoping for a future shaped by AI.
Scifi about aliens invading a small Australian village. Strange jumping story, not a real plot line, over the top slowmotion.
Some interesting and really strange stories (about the man trying to escape from a prison), some of them less interesting.
Collectin of short(er) stories. Few of them actually grabbed me.
That, he said, was why he no longer trusted his counselors, who ahd the intelligence of a fiteen-year-old bride, with none of the advantages.
(from "The Miraculous Discovery of Passmetichus I")
fun series with Steve Buscemi and Daniel Ratcliffe about Heaven Inc trying to get two people to fall in love. Based on a book that wasn't so special (based on just the sample I read)