Weird song that came up after playing The Smile a lot. Slow vocals and bubbly sound.
From Cocteau Twins, This Mortal Coil, worked with Massive Attack, Yann Tiersen, Craig Armstrong...!
Needed a globally accessible place to jot down notes about books, films, music and the such.
Weird song that came up after playing The Smile a lot. Slow vocals and bubbly sound.
From Cocteau Twins, This Mortal Coil, worked with Massive Attack, Yann Tiersen, Craig Armstrong...!
Niet mijn soort boek/stijl. Vooral het taalgebruik werd de hemel in geprezen, maar ik vond de constante vergelijking met eten niet heel prettig om te lezen. Liet wel op een goede manier delen van het verhaal weg die je zelf aanvoelde.
Ik kende deze blik niet van hem, al wist ik dat hij een hekel had aan wachten, want dan moest hij te lang stilstaan bij zichzelf en daarvan ging hij meer roken. Niemand in het dorp stond lang stil bij zichzelf, het kon dan zomaar gebueren dat de oogst verpieterde, en wij kenden alleen de oogst van het land, niet die in onszelf.
Mensen hebben nu eenmaal kleine problemen nodig om zich groter te voelen.
great parlando, slightly less so when he starts to sing. Still fun.s
OK series about a woman and IT guy who start challenging each other, of course the challenges bring about serious changes in their lives... not breathtaking but was enjoyable so far
ok to read, although he makes some strange claims about how (classical) music is unique in ways other arts and senses are not. Does not always make sense to me. I wonder how critical his editor was, or whether this suffered from fanboy issues.
Since historians can choose where to begin and where to end their stories, Hayden White invented the word "emplotment" – meaning the imprint of dramatic structure onto what he saw as the randomness of events.
What Wagner did was create a set of short musical motifs that are presented at important moments in the drama and seem to represent those moments, characters, objects, and emotions. The brain links the melody with a visually and dramatically memorable moment. This procedure mysteriously creates a permanent relationship between the music and the object. From that moment onward, each time the melody is heard in the unfolding drama brings us back to its first iteration, and since the Ring takes place over generations, the sense of time and nostalgia become ever more emotive.
wonderful original story about Red and Blue, agents of opposing forces Agency (cyborgs?) and Garden (organic), who fight each other through strands of time and leave letters.
A rush of wind splits the earth, a roar in darkness. Red clutches the petrified trunk closer than a lover. The wind peaks, screams, tosses bones about. A new note rises above the ossuary clatter, woken by the cavern's wind whistling over precise fluted pits in the bones Red has hung. The note grows, shifts, and swells into a voice.
So I go. I travel farther and faster and harder than most, and I read, and I write, and I love cities. To be alone in a crowd, apart and belonging, to have distance between what I see and what I am.
I love you. I love you. I love you. I'll write it in waves. In skies. In my heart. You'll never see, but you will know. I'll be all the poets, I'll kill them all and take each one's place in turn, and every time love's written in all the strands it will be to you.
But never again like this.
I am so sorry. If I had been stronger. Faster. Smarter. Better. If I had been worth you. If–
You would not want me to curse myself this way.
You'll have to burn this. I hope you can keep it. I keep the memory. I imagine your hands on the paper. I imagine your fire.
I wish I could hold you.
I love you.
R.
Gripping account, fictional but based on real events, of corrupt cops in Baltimore.
https://berthub.eu/articles/posts/reverse-engineering-source-code-of-the-biontech-pfizer-vaccine/
If we look closely, we see that the majority of the changes happen in the third codon position, noted with a ‘3’ above. And if we check the universal codon table, we see that this third position indeed often does not matter for which amino acid is produced.
So, the changes are synonymous, but then why are they there? Looking closely, we see that all changes except one lead to more C and Gs.
So why would you do that? As noted above, our immune system takes a very dim view of ‘exogenous’ RNA, RNA code coming from outside the cell. To evade detection, the ‘U’ in the RNA was already replaced by a Ψ.
However, it turns out that RNA with a higher amount of Gs and Cs is also converted more efficiently into proteins,
And this has been achieved in the vaccine RNA by replacing many characters with Gs and Cs wherever this was possible.
This is one of the exceptionally clever bits about the vaccine. Our body runs a powerful antivirus system (“the original one”). For this reason, cells are extremely unenthusiastic about foreign RNA and try very hard to destroy it before it does anything.
This is somewhat of a problem for our vaccine - it needs to sneak past our immune system. Over many years of experimentation, it was found that if the U in RNA is replaced by a slightly modified molecule, our immune system loses interest. For real.
So in the BioNTech/Pfizer vaccine, every U has been replaced by 1-methyl-3'-pseudouridylyl, denoted by Ψ. The really clever bit is that although this replacement Ψ placates (calms) our immune system, it is accepted as a normal U by relevant parts of the cell.
Many people have asked, could viruses also use the Ψ technique to beat our immune systems? In short, this is extremely unlikely. Life simply does not have the machinery to build 1-methyl-3'-pseudouridylyl nucleotides. Viruses rely on the machinery of life to reproduce themselves, and this facility is simply not there. The mRNA vaccines quickly degrade in the human body, and there is no possibility of the Ψ-modified RNA replicating with the Ψ still in there. “No, Really, mRNA Vaccines Are Not Going To Affect Your DNA” is also a good read.
"Matrix" for the Latin for Mother.
One of those exceptional books that tell the whole lifetime of a character and you actually believe it. Marie de France, unknown who she was according to wikipedia, but so influential in the 12th century....
But Goda needs to punish someone, and so the grave is dug in the unconsecrated ground outside the churchyard, without ceremony, Avice is lowered into it in her shroud facedown with her babe at her feet, so that in the Revelations her bones will never be able to rise to the hands of the Angels of the Resurrection. Such pitilessness, Marie thinks, for a sin of flesh.
At last, she shees a clump of darkness on a rise that, when Marie nears, revels the sheep saved, nuns running into the sodden fields waist deep to save more. Palenesses floating in the dark are drowned sheep. Marie wades out into the icy water to her waist, to her ribs. Cold sezies her and the wet habit grasps at her legs. She finds a ewe standing upon a dead sister, paddling with its front legs in panic, and though the beast is twice the size of an ordinary child and thashes in her frenzy, Marie picks her up in her arms and carriers her to the rise.
And her smell was strong, the soap of lemon balm and lavender at the heart of her braid, skin with honey and wild onions and leaf rot in it.
So hungry, the nun's faces are skulls skinned of flesh in the dark dortoir. There are soups in which meat is boiled and removed to save for future soups. Fingernails the cold blue of sky.
Amazing sci-fi about the planet January where a human spaceship arrived generations ago. Tidal locked, one side of the planet is always blazing, one in eternal dark.
Various people, Mouth, and Sophie, struggling between the two cities (Xiophant, strict rules, strict times) and Argelo (party, freedom, no responsibility) and the Citizens (Mouth is the only survivor) as well as the Resourceful Couriers, "crocodiles" or Gelet that Sophie can speak with...
Amazing stuff.
Modern retelling of Sleeping Beauty, where multiverse-beauties break out of their fate.
okay, but could not get used to the "gen-z" ish word and language, the continuous need to sound snappy and sharp. Tiresome.
Enjoyable enough, but a bit too much the overwhelming CGI action we all expect these days.
The "24/7" diner episode is great, although the separate episodes with their sub plots work less in a series than in the graphic novel.
Slightly disturbing film of a family coming together for Thanksgiving in a dilapidated New York City apartment. Each family member, particularly the dad, has their problems and fixations.
Crazy action film, semi-one shot, Korean, of a guy protecting his family, with a bomb in his mouth and has forgotten his memory.
Crazy stuff, quite enjoyable.